agilebrit: (Hugs)
About 6am this morning, my ranking looked like this:

Amazon Best Sellers Rank: #613 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
#29 in Kindle Store > Kindle eBooks > Science Fiction & Fantasy > Fantasy > Paranormal & Urban
#30 in Books > Science Fiction & Fantasy > Fantasy > Paranormal & Urban

And right now, as of 10am, it looks like this:

Amazon Best Sellers Rank: #611 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
#26 in Kindle Store > Kindle eBooks > Science Fiction & Fantasy > Fantasy > Paranormal & Urban
#27 in Books > Science Fiction & Fantasy > Fantasy > Paranormal & Urban

So it's still dropping a little, though it seems to have leveled off.

You guys are amazing. I am truly blessed. Thank you all. <3<3<3
agilebrit: (Guri praise the Lord)
The handsome and hard-working Larry Correia is book bombing my novel today. In case you don't know what this means, it's that we all buy a book on the same day, send it flying up the Amazon charts, and do fun things with their algorithms. If you buy other urban fantasy with it, that gets it on genre-appropriate rec lists. If you buy weird things with it, that gets it on ... weird rec lists.

Here is a handy link whereby you can buy it! Lookit that cover, you guys, I'm still in awe.

There's all kinds of spiffy urban fantasy out there. In the interests of paying it forward, I'll list some of my favorite authors, and you should definitely check out their stuff:
Jim Butcher (duh)
Larry Correia (duh)
Carrie Vaughn
Patricia Briggs
Diana Pharaoh Francis
Rob Thurman
Kevin Hearne
Anton Strout
ML Brennan (I just got into the Generation V novels, and they are a ton of fun)
PN Elrod
Charlaine Harris

Those are off the top of my head right now, and people I've personally read, though I've got people like Quincy Adams, Josh Vogt, and Ramon Terrell on my list--I shared the WordFire booth with them at SLComicCon, and they're awesome. Feel free to leave your own recs in the comments!

And while you're at it, you should pre-order Larry's forthcoming epic fantasy novel "Son of the Black Sword."

Many, many thanks to all the wonderful people at WordFire who made this possible. Kevin J. Anderson, who rushed production (but didn't skimp) when I mentioned I would like to be able to hand a copy of the book to Jim Butcher; Peter Wacks, who took my pitch and has been enormously helpful in helping me figure out where to go next; Emma Michaels, who designed my amazing cover; and Bryan Thomas Schmidt, who took a novel I wrote six years ago and made it suck far less.

And an extra special thanks to Larry, who is amazeballs. <3
agilebrit: (Guri praise the Lord)
But before I get to that, I have a funny story. If you don't care about the funny story, just skip down to the bold part.

Remember this from ComicCon? Basically, Larry Correia being awesome and introducing me to Kevin J. Anderson and saying that not only would he blurb my book if they published it, but would also book bomb it?

Back up to the previous night.

Big group of us at dinner. Afterward, the party breaks up somewhat, and I'm outside shooting the breeze with the handsome and hard-working Peter Wacks, an acquisitions editor for WordFire Press. He's talking about his urban fantasy and how his werewolves work, and another of his authors is talking about his werewolves and how they work, and I think, Well, this is right in my wheelhouse, isn't it. No, it wasn't a question. I have a split second of hesitation, and then I think I should just go for it, because what do I have to lose, and say, "So, this is the part where I ask you what your acquisitions process is."

Peter says, "Pitch me your book."

I freeze.

For about five seconds. Sooo was not ready for that. BUT. I do have an elevator pitch, and I sputter while desperately dragging it to the forefront of my mind where I can, you know, actually use it. I put on my best radio announcer voice and say "A private eye with PTSD--"

And Peter says, "Stop. Send me a chapter. Doesn't matter which one."

Turns out that he was a private eye for a year while doing research for a novel, and he works closely with a PTSD charity. I knew neither of these facts, but I managed to hit two of his sweet spots in five words. As they say in the business: SCORE.

The thing with Larry happened the next day. After the event was over, I sent Peter the chapter he requested. Chapter One, because that's where I set up all the dominoes, and if he doesn't want to read farther after that, well, I don't deserve to be published because I haven't done my job of hooking the reader.

Couple of weeks went by, and I hear from Peter again. "I like your style; send me an outline for the rest of the book."

So I do. This was... October? By then? And then there's radio silence. For months. Until I hear from a mutual friend, "Peter wants to talk to you at either FanX or LTUE." Pins and needles commence. And, of course WordFire didn't come to the FanX because Reasons. But LTUE was two weeks later, which doesn't seem like long, but by the time it rolled around, I was absolutely screaming inside.

Peter and I made an appointment for 7:15pm on February 12. "Walk with me," says he, and we head over to the Indian restaurant. He sends Alexi Vanderberg off ahead of us, and then says "We've all talked it over, and we'd like to offer you a novel contract."

I'm pretty sure I made a noise only dogs could hear, but Alexi later told me "I thought you tripped or ran into something because I heard you make a noise, and then I realized, oh, he must have told her." LOL

I now have a signed contract in my hand. We're looking toward a release in time for SLComicCon so I can hand a copy to Jim Butcher and tell him "thank you"--which is lightning-fast. I just hope my editor doesn't think it's egregiously awful.

I've been sitting on this news since February. You might have noticed I was a bit sneaky in the entry where I announced the re-sale of the dragons-in-space story, where I said I hadn't had a short fiction sale since October. Well. "Short" was the operative word there. ;)

So. On the strength of a pitch, a first chapter, an outline, and Larry Correia saying that I'm awesome...

I have a book deal.

FRIENDS. DO THE DANCE OF JOY WITH ME.
agilebrit: (Don't make me beat you in the name of gr)
Got back from the Easter Jeep Safari in Moab to find that the internet blew up in my absence. Since I knew the Hugo nominations would be announced on Easter Saturday, this was inevitable. And I thought long and hard about whether I was going to make a public post or just lock it to the folks I trust, but I've decided I'm not going to let fear rule me. I'm going to do my best to be a Voice of Reason. Considering the fact that in other circles I'm considered The Mean One, this may be difficult, but I'll try.

Disclaimer: Larry Correia and Brad Torgerson are friends of mine. I do not know Vox Day, and have never had a conversation with him, though I have on occasion visited his blog, and I've read (and enjoyed) some of his fiction.

First of all, congrats to all the nominees. Special shout-outs to Kevin J. Anderson, Jim Butcher, John C. Wright, Tom Kratman, Gray Rhinehart, Annie Bellet, Kary English, Carter Reid, and Bryan Thomas Schmidt. I look forward to reading the Hugo voter packet once it's ready.

I am somewhat gobsmacked by the reaction, though I suppose I shouldn't be. I've been trying to unpack my own reaction to the reaction, and it boils down to a few points:

1. The Hugos are a fan award, and the "fans" in this instance are the ones who buy at least a Supporting Membership to Worldcon. The fact that more fans found out they could do this, and blew at least forty bucks of their hard-earned money in order to make their voices heard, thus putting more money into Worldcon coffers? Is a good thing. The fact that those fans might not be the Sorts Of People that "fandom" is used to having vote on "their" award? Is also a good thing. Because, you know what? The award belongs to them too. Everything should be turned upside down on occasion; it lets in air and light.

2. I keep seeing people saying that they're going to vote "No Award" for anything and anyone who appeared on the Sad Puppies/Rabid Puppies slate. I am gobsmacked by this reaction as well. Are you seriously going to punish Jim Butcher, Kary English, John C. Wright, and all the others because of how you think they got on the ballot? Because of who supported them? Do you honestly think they don't belong there?

This strikes me as petty, and beneath us. I thought we were better than that. But apparently there are Cool Kids, and there are the Cooler Kids, and then there are the Great Unwashed. If giving everyone a fair shake--by actually reading the works and voting accordingly--makes me one of the Great Unwashed, well, I'll stand proudly with them. And if your conscience is clear when you vote No Award over the godfather of an entire freaking genre without even reading him, well. I guess it's your conscience.

3. The idea that the nominees aren't "real" and should have an asterisk or something on their win. I'll be succinct here: Bull fucking shit. Jim Butcher is, as said earlier, the godfather of an entire genre and helps writers out wherever he can. Kevin J. Anderson has written more books than God and also helps out new writers. John C. Wright is generally the smartest guy in any room and has books published by Tor, which is not precisely easy. Kary English won Writers of the Future, which is also not precisely easy, and she is lovely. Toni Weisskopf manages--very well!--a publishing house that gives no shits about the politics of their writers. Are you seriously telling me that these luminaries don't belong on the ballot? Please.

4. On "fixing" this "problem": The thing is, no one did anything against the rules. Anyone and everyone is free to suggest their own slate based on their own agenda. Others probably will, next year. As far as I'm concerned, the more the merrier. The way to combat speech you disagree with is not to ban that speech, it's more speech. So. You don't like how this panned out? Start your own campaign. Come up with your own slate next year. Get your friends who read SFF involved. Let them know that they can be involved, for crying out loud. I keep seeing, again and again and freaking again "Oh, wow, I did not realize I could actually have a voice in this, how cool."

We don't need to shut it down. We need to pump it up.
agilebrit: (Guri praise the Lord)
So, I'm at SLComicCon this weekend (as one is if one has a modicum of sense, lives here, and is in The Business), and talking to Larry Correia at the WordFire Press booth. The Man Himself, Kevin J. Anderson, wanders by, and Larry hollers at him, introduces me, and tells him that I need to bypass the slush pile when I submit my novel.

Kevin says "If we publish her, will you do a front-cover blurb?" Without hesitation, Larry says "Yep." "Book bomb?" "You betcha."

I suppose, to be fair, the novel is more urban fantasy than SF, but the nanotech gives it SF trappings and it is SF by Analog standards, so. What a terrible person the International Lord of Hate is. Yep, that Larry Correia dude, he sure does hate the wimmenfolk who are, you know, destroying SF.

This is me, snorting loudly and at great contemptuous length at that notion.

And this was the day after I started my novel pitch to the handsome and hard-working Peter Wacks, one of the acquisitions editors at Wordfire. He stopped me at my fifth word and said "Send me a chapter." *flail* This is, of course, the part where my self-confidence takes a nose-dive even though I adore my novel, but I am going to by-golly send him a damn chapter and see what happens.

It was a good weekend.
agilebrit: (I'm a terrible person)
Camping with a bunch of people from church. It was lovely.

And it's amazing what you can get accomplished with no internet around. I brainstormed the I Am the Abyss story some more, and I think I finally have an outline I can live with. I also banged out a few hundred more words in it, and if I go at a NaNo pace for the rest of the week, I should have a serviceable first draft. Yay.

In other news, Larry Correia fisked the Guardian again, and then the author of the column he rightfully roasted doubled down on his utterly stupid "science fiction is not a genre" statement by attempting to argue on Larry's FB page, in all seriousness, that a series with spaceships, aliens, robots, cyborgs, artificial intelligence, and energy weapons is not science fiction.

Now. Say what you like about Star Wars's wacky religion and some of its sillier elements, but it is most certainly science fiction. Is it "hard" SF? Well, no. It falls under the umbrella of "space opera," which is a sub-genre of SF--and is most certainly SF. I've written both hard SF and space opera, and I'm comfortable sending both to Analog and Asimov's and other "science fiction" magazines, because SF is a broad umbrella.

Man, I hope the Guardian isn't paying this dude for the tripe he's spewing.
agilebrit: (I regret nothing)
Hey, everyone? Just because a character's death causes another character pain does not make that a "fridging." [Warning: link goes to TVTropes.] And I say this as someone who has shamelessly fridged more than one character in RP. Trust me when I say I know what it is, and I know what it isn't.

A character death should cause other characters pain, if the dying character is someone they cared about. If it doesn't, then you're Doing It Wrong. There's nothing wrong with a character death providing angst and motivation to other characters. The problem comes when that is the only reason for that character's death, or if that character goes out in a lame way instead of an awesome way. There is a Right Way, and a Wrong Way, to do this.

And for someone to call Delilah's death in "Hard Magic" a "fridging" is hilariously wrong, and abusive of the definition, and--yep, I'm saying it--agenda-driven. But this gets back to the whole "message fiction" vs "storytelling" debate we seem to be having, and the fact that no one (including Larry Correia) is saying "don't write message fic." Rather, we are saying "don't write message fic while sacrificing story, because that is boring."

And Larry's books are positively stuffed with awesome storytelling, and that's why he wholly deserves his Hugo nomination.
agilebrit: (I'm a terrible person)
Right here. Read it all.

This right here is the money quote: They were bored with dying polar bears, murderous bigoted Christians, lectures about the dangers of capitalism, and thinly veiled Dick Cheneys as bad guys. You can really only slap half of the country upside the head and tell them their beliefs are stupid and backwards so many times before they quit buying your stuff.

Because that is the precise reason I quit reading it a couple of decades ago, and I started reading it again because Jim Butcher dragged me back in with Michael Carpenter. I asked Jim about that, and he said that, yes, he wrote Michael on purpose to be the opposite of the "evil Christian" trope, because he was tired of it too.

And now I'm writing SFF myself. Heck, my 12th story was just published yesterday. I've managed to slide in a couple of good-guy Christian characters into my own fiction here and there. A couple of them have even been published.

And Larry "kept me down" (because that's what he wants, is to keep lady writers down! At least, according to Damien Walter. Oh, wait, am I allowed to say "lady writers"?) by telling an editor to put my story at the top of his stack, and by introducing me to others he was talking to by saying "This is Julie Frost. She's awesome."

THAT BASTARD.
agilebrit: (I'm a terrible person)
Well, I didn't win the Merry Little Apex Christmas flash fiction contest, but the story that did win was pretty spiffy, so I'm not too disappointed.

And the handsome and hard-working Larry Correia has posted his sixth annual Christmas Noun story. If you have not read these, you totally should, because they are hilarious. WARNING: Conservatism not only lurketh there, but is right out in the open gnashing its fangs. If you are sensitive about our Fearless Leader's Signature Legislative Achievement being mercilessly skewered, this is probably something you don't want to read.

And now, for your enjoyment (or something), I'll post the 250-word story I entered in the Apex contest. WARNING: It is gleefully dark, and bad things happen to children in it. Also, there's a couple of f-bombs. And thus it is under the bouncing LJ-cut. )
agilebrit: (Write Dammit)
But according to the handsome and hard-working Larry Correia, I should be treating this like a job.

Which I've done this year--I've penned thirteen stories since January and sent out nine of them; the other four are still in edits. I've tripled my wordcount from last year. I've sold four stories.

So why do I feel like I'm still spinning my wheels and faking it?

Maybe it's because my inbox has been woefully empty for nearly ten whole days. Maybe it's because I've scribbled 115,800 words in six months, and it's burnt me out. I realize that 115K words is, like, a weekend for someone like Larry, but it's a lot for someone like me, and I'm caught between awe that I managed it and and disbelief that those words are actually any good.

I guess that's something that I'll just have to grind through until I see a light at the other end.

In the interests of that, I'll be posting something, probably De-Wolfed Ben, up for the Usual Suspects pretty soon. Because this is my job, and I need to do it even though I'm not "feeling" it right now. My husband doesn't get to call into work and say "I'm just not feeling the Pilot Muse today, so I'm taking the day off." So neither do I.
agilebrit: (Writer of Wrongs)
And it was fantastic as always. The new venue was amazing, with a really good restaurant and a bar. And WALL PLUGS EVERYWHERE. Honestly, I hope we keep that venue instead of going back to UVU next year.

The panels were awesome. I learned a lot, and got some ideas for where I was going wrong in parts of the things that are driving me crazy right now. The panels I was actually on were great too. The readings were not publicized at all, so I ran around telling everyone I knew when mine was. Most of the people who attended it were leftovers from the previous person, and I think I hooked them with the title ("Beverly Hellbunnies"). And of course, I left it on a cliffhanger and had people going "AHHHHHHH where can we read the rest of it" and I responded "MINE IS AN EVIL LAUGH YOU CAN'T." Although I did pass the manuscript off to a couple of friends. And then on Saturday at midnight, I'm sitting there talking with some people and someone else I knew came up to me and said "I understand I should talk to you about bunnies." So that was hilarious.

I got to network with some people. Dave Wolverton/Farland was there, and I had dinner with him and got to bend his ear a little about WotF. And one of the guys at TM Publishing was lamenting the size of his slush pile and saying how behind he was, and I mentioned that one of mine was in there, and LARRY FREAKING CORREIA said "Put hers at the top!" He has read my stuff (I have no idea where) and likes it, and a rec from him to an editor is like gold.

I still haven't decided what I'm going to do with the novel. Someplace like TM that publishes both novels and shorts and thus has natural tie-in capabilities would be a good fit for it, but at the same time they have a "keep the graphic violence to a minimum" policy. And, well, what can I say, it is what it is and graphic violence is something I'm actually pretty good at writing in service to a story. So, IDEK. Brett said he was open to the whole "novel with short tie-ins" concept, but I'm just not sure the subject matter fits what he wants to publish. James Wymore at CuriosityQuills wants me to send him something too.

Part of my problem with a lot of these places is the fact that I'm still just a little stuck in Traditional Publishing Mode and I want an advance, dammit. I realize that startups frequently can't afford that, but at the same time I think the book is good enough that I should get one, you know? At the same same time, this may be the only novel I ever actually write (having become reconciled to the fact that I am not a natural novelist) and, as previously stated, no agent or publisher wants a one-hit wonder.

Now, my body of work is almost to the point where I could put out themed anthos (werewolves, angels, and my spaceship crew could all get an antho apiece, almost), so there's that. Meh, I dunno, the whole industry is in flux right now and it's both an exciting and scary time to be a writer. Five years ago, everyone was saying "self-pubbing is the kiss of death, don't do it," and now everyone is saying "eh, why not, what do you have to lose."

The fight scene in the New Janni story sucks less; I managed to fix most of the problems with it in the bar and now just need to polish it more. I've got a few more ideas for Angry Bitter Angel to flesh out my serial killer. Zombunnies is nearly ready for subbing and I have an actual Plan for that. I still haven't even looked at Unquiet Neighbors and have only briefly glanced at Eldtritch Plumbing.

All in all, chugging along.

Mmph.

Nov. 27th, 2012 11:05 am
agilebrit: (Not the worst thing)
I'm feeling better today. I guess. I plowed through 18 pages of a 23-page edit yesterday, and hopefully I'll get the rest of it done today. And perhaps I'll let the Usual Suspects have at it once that's finished. I should also email my Writing Buddy and see what he's up to, since I actually (finally) have something for him to read.

I've decided that, for the paragraph that's bothering me, I'm going to copy and paste that into a new doc so I'll have it in front of me, and then basically rewrite it from scratch.

Also, my pal Larry Correia is running a book bomb for my other pal Dan Willis today. A book bomb, for those unaware of this phenomenon, is when a lot of people get together on one day and buy a certain book. This makes its rank go up on Amazon, it gets more recommendations, and, of course, it puts coin in a writer's pocket. If you like steampunk, check out The Flux Engine, and if it looks like something you'd enjoy, then blow six bucks on it and help out a super-nice guy.

Also, if you click through that link and buy anything else, that also helps Larry. Conservatives on my flist, if you haven't heard of him, you will love him.

BOOK BOMB.

Oct. 29th, 2012 11:04 am
agilebrit: (shiny!)
Well, for all three of the people still reading this, I wanted to let y'all know that the handsome and hard-working Larry Correia is doing a book bomb today for the new e-book "Space Eldritch," edited by the handsome and hard-working Nathan Shumate. It's a collection of Lovecraftian space opera stories, and I personally know seven of the people in it. The purpose of a book bomb is to buy as many copies as possible in one day to get the book as high on the lists as possible, because that creates a snowball effect for sales and word-of-mouth. It's only six bucks, and if you want a preview, you can go here and get the first thousand or so words for several of them.

There will also be a dead tree version, but that comes out later. I bought the e-book already (never let it be said that I don't put my money where my mouth is), and I will also be purchasing the dead tree version because autographs are a Thing for me and I can probably get the thing signed by every single person in it, which will be very cool.

In other promotional news, Larry is also running a Kickstarter campaign for the Monster Hunter RPG. It's fully funded at this point, but there's some stretch goals, and it's going to be really super cool. The kickstarter ends on the 31st, so you've still got time to get in on it.

In writing news, I've cracked 7500 words in the steampunk werewolf western. I'm at the halfway point on my outline--which, understand, doesn't necessarily translate to the halfway point in the word count of the manuscript. And yes, I have an outline, try not to die of shock. It's a loose outline, and the "plot" for the Resolution is "save the day--somehow!" But I swear, it's like pulling teeth to get this thing to come out. My protag and my preacher are having an argument right now. Good times.

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