Okay, I finally caught up with my flist.
And then I ended up having to scramble to find markets for a couple of stories that, for one reason or another (although not because they were rejected
per se; what a funny old business this is) had to go elsewhere. So that was fun too. But they're back out, go me for paying attention to the business side of this writing stuff again, even though I hate hate hate it. Have I mentioned I'm not looking forward to marketing the novelthing? Yeah. So not looking forward to that.
I've been roped into helping the poor Hubby with the transmission in his Durango. He's rebuilding it, and now we know why mechanics get the big bucks to do this. It's a two-person job just to get the damn thing unbolted. God only knows what he's going to find once he actually gets into it. I now have barked knuckles. Yay.
The handsome and talented
jpsorrow had an entry the other day about writing characters of the opposite sex, and that got me thinking about why I write characters the way I do.
I may have mentioned before that I'm emotionally stunted. This may be why I find it easier to write male characters, who are almost expected to repress their emotions.
For example, not!Harry.
Here is a war vet, former POW, with severe PTSD. He does not talk about what he went through over there. "He holds a lot inside. Sometimes he drinks when he can't sleep." And most of this is because, I think, he's afraid that if he
doesn't hold it inside...he'll crack wide open. At the same time, if he holds too much of it in, then the buildup itself will crack him open--and that won't be pretty either. And I'm not sure I bring this out enough in the "fallout of the climax" scene, although the first time he wolfs it's pretty apparent that this is going on, so maybe I don't need to actually say it again a hundred pages later. After all, my readers aren't stupid, so I'm pretty sure they can see what's happening there.
And then there's not!Harmony.
She cries. She cries... a lot. Most of the time it's because not!Harry is physically injured, because seeing his blood does bad things to her psyche. This may be because he's so emotionally injured that a physical injury to him pushes her own emotions over the top. But the thing is that she's the calm in the middle of his storm, so she has to be strong for him and can't really show him how much all this is affecting her. So, if she cries, she either has to do it while he's unconscious or out of the room.
Yeah. I've just realized I need to go through this thing yet again and see how I've handled that.
Yay for psychoanalyzing my characters.