*cracks knuckles*
I have two copies of the CatFeet story open. I think what I'm going to do is save the second one as CatFeet Mark III and just start editing the CRAP out of it. Bob says I need a body by the second or third page, which will be tough, but I think I can rip a whole bunch of stuff out without hurting the story. I'm going to take "a body" to mean "the shoe," because the shoe leads to the body. Also, I need that scene to set up what the guy does for a living, since I'll be excising the entire scene where I introduced that before.
I also had a really cool thought for the scene where the cat sits on the hood of his car and just stares at him, which I've gleefully incorporated. *evil laughter* You know that flail-y thing you do with your hands when you get creeped out? Or is that just me? Anyway, yeah, this particular thing is making me do that. Because, EW.
Editing is harder than writing. This is feeling like actual work. Augh.
I have two copies of the CatFeet story open. I think what I'm going to do is save the second one as CatFeet Mark III and just start editing the CRAP out of it. Bob says I need a body by the second or third page, which will be tough, but I think I can rip a whole bunch of stuff out without hurting the story. I'm going to take "a body" to mean "the shoe," because the shoe leads to the body. Also, I need that scene to set up what the guy does for a living, since I'll be excising the entire scene where I introduced that before.
I also had a really cool thought for the scene where the cat sits on the hood of his car and just stares at him, which I've gleefully incorporated. *evil laughter* You know that flail-y thing you do with your hands when you get creeped out? Or is that just me? Anyway, yeah, this particular thing is making me do that. Because, EW.
Editing is harder than writing. This is feeling like actual work. Augh.